T\u00fcrkiye sol’u ,’vefa’ dendi\u011finde bir\u00e7ok konuda eksiktir.
\n\u00d6zellikle emek vermi\u015f ‘ilk’lere dair b\u0131rak\u0131n sahiplenmeyi, \u00fcstelik \u00e7o\u011fu zaman daha hayattayken onlar\u0131 Zaman mezarl\u0131\u011f\u0131na g\u00f6merek, unutulmaya mahk\u00fbm etmi\u015ftir. Buna en iyi \u00f6rnek, \u00fc\u00e7 kad\u0131n ayd\u0131n\u0131m\u0131z\u0131 g\u00f6sterebiliriz.<\/p>\n
YA\u015eAR NEZ\u0130HE:
\n\u00c7a\u011fda\u015f edebiyat\u0131m\u0131zda ilk modern \u015fiir \u00e7al\u0131\u015fmalar\u0131 ile bilinen toplumcu \u015fairlerdendir.1926 da \u015eefik H\u00fcsn\u00fc ile. TKP\u2019nin kurulu\u015f kongresine bulunmu\u015f, onun parti i\u00e7indeki m\u00fccadeleci kimli\u011fi zaman zaman \u015fairli\u011finin \u00f6n\u00fcne ge\u00e7mi\u015ftir. \u015eefik H\u00fcsn\u00fc ile ya\u015fad\u0131\u011f\u0131 siyasi polemiklerden \u00f6t\u00fcr\u00fc yaln\u0131zl\u0131\u011fa mahkum edilmi\u015fti. Sonraki gen\u00e7 nesil tarih yoksunu oldu\u011fu i\u00e7in varl\u0131\u011f\u0131n\u0131 dahi bilemedi. Sol yay\u0131nc\u0131lar eserlerini basmad\u0131. Ya\u015far Nezihe hak etmedi\u011fi halde yoksulluk i\u00e7inde yasad\u0131 ve \u00f6ld\u00fc. Geride, vefas\u0131zl\u0131k \u00fczerine vicdanlar\u0131 s\u0131zlatan bir hik\u00e2ye b\u0131rakt\u0131.<\/p>\n
FATMA YAL\u00c7\u0130:
\nDr Hikmet k\u0131v\u0131lc\u0131ml\u0131 ile beraber ayn\u0131 d\u00f6nem TKP faaliyetlerini y\u00fcr\u00fct\u00fcyordu. Yay\u0131nevi kurdu. d\u0131\u015fardan gizlice getirilen bir \u00e7ok Marksist klasik eserleri T\u00fcrk\u00e7e ye \u00e7evirdi. Dr. Hikmet K\u0131v\u0131lc\u0131ml\u0131 Hapishanedeyken hem kom\u00fcn\u00fcn ihtiya\u00e7lar\u0131n\u0131, hem d\u0131\u015fardaki kadrolar\u0131n ihtiyac\u0131n\u0131 bu yay\u0131nevinin geliri ve \u015fahsi paras\u0131yla kar\u015f\u0131lad\u0131. Dr. Hikmet TKP den ayr\u0131ld\u0131\u011f\u0131nda onun yan\u0131nda yer ald\u0131. Zaman zaman Dr. Hikmetle de siyasi meselelerde ters d\u00fc\u015ft\u00fc. Gerek TKP gerekse K\u0131v\u0131lc\u0131mc\u0131lar kendisini yaln\u0131z b\u0131rakt\u0131. Sonraki nesil ad\u0131n\u0131 dahi bilmiyordu. Oysa T\u00fcrkiye sol’una yay\u0131n hayat\u0131yla ciddi katk\u0131larda bulundu. Onun hat\u0131ras\u0131 bizlere ibret al\u0131nacak bir vefas\u0131zl\u0131k \u00f6rne\u011fi olarak bor\u00e7 kalm\u0131\u015ft\u0131r.<\/p>\n
F\u0130RUZAN:( Firuze \u00c7er\u00e7i)
\n68 ku\u015fa\u011f\u0131 ve sonras\u0131 onun eserleriyle b\u00fcy\u00fcd\u00fc. Eserleri bir \u00e7ok dile \u00e7evrildi. Sosyalist d\u00fc\u015f\u00fcncelerinden asla vazge\u00e7medi.68 ku\u015fa\u011f\u0131 i\u00e7in yazd\u0131\u011f\u0131 ’47 likler’ en bilinen eserlerinin ba\u015f\u0131nda gelir.12 Mart d\u00f6neminde bu eseri yasakland\u0131. Kemal Tahir, d\u00f6nekli\u011fini ilk sergiledi\u011fi r\u00f6portajlar\u0131nda Firuzan\u2019\u0131 ele\u015ftirdi. Onu fazla arabesk ve Kerime Nadir taklit\u00e7isi olarak anlatt\u0131. Bir anda sol \u00e7evrede \u015fok etkisi yapt\u0131 ve g\u00f6zden d\u00fc\u015ft\u00fc. Oysa yeni yetme devrimciler dahil \u00e7o\u011fumuz emekleme d\u00f6nemimiz de onun PARASIZ YATILI\u2019s\u0131n\u0131 okumu\u015ftuk. Ne yazik ki ona vefa g\u00f6steremedik. G\u00fcle g\u00fcle F\u0130RUZAN.<\/p>\n
Suskun ve de k\u00fcsk\u00fcn y\u00fcrekleriniz bizi biraz daha utand\u0131rd\u0131. Umar\u0131z gelecek nesil ayn\u0131\u00a0gaflete\u00a0d\u00fc\u015fmez.<\/p>\n","protected":false},"excerpt":{"rendered":"
T\u00fcrkiye sol’u ,’vefa’ dendi\u011finde bir\u00e7ok konuda eksiktir. \u00d6zellikle emek vermi\u015f ‘ilk’lere dair b\u0131rak\u0131n sahiplenmeyi, \u00fcstelik \u00e7o\u011fu zaman daha hayattayken onlar\u0131<\/p>\n","protected":false},"author":1,"featured_media":1598,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[72],"tags":[],"class_list":["post-1597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel"],"_links":{"self":[{"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/posts\/1597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/comments?post=1597"}],"version-history":[{"count":1,"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/posts\/1597\/revisions"}],"predecessor-version":[{"id":1599,"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/posts\/1597\/revisions\/1599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/media\/1598"}],"wp:attachment":[{"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/media?parent=1597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/categories?post=1597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dkder.org\/index.php\/wp-json\/wp\/v2\/tags?post=1597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}